The Reverend Jenn Wasner Signature JW-1 combines the dynamic power of the Charger HB with the visual aesthetic of Jenn’s projects (Wye Oak, Flock of Dimes, Dungeonesse). We partnered with the Baltimore textile artist who created Jenn’s stage wear, April Camlin, to create the graphic, called “Optic Interruption.” The visual effect is as dynamic as the sound.
We design our own proprietary custom pickups, to achieve the best tonal match with our instruments. Reverend pickups are also specifically designed for each position, for balanced volume and tone when switching.
The body of the JW-1 is topped with a graphic from textile artist April Camlin’s “Optic Interruption,” while the back and sides are Midnight Black to highlight the pattern. She adapted the pattern for the project, and Reverend designer Joe Naylor matched it to the Charger HB-style guitar.
Korina (aka White Limba) is a medium-light weight wood, highly prized for consistency and tonal qualities. Often found in boutique and vintage instruments, all Reverends feature Korina bodies. A highly resonant wood, Korina is a key factor to producing our lively, responsive instruments that are rich in harmonics.
This passive bass roll-off is great for tightening up the low end, or re-voicing the pickups. It can make a humbucker sound like a single-coil, or give a P-90 that classic twang. Variable pickup voicing at your fingertips!
The paint on a Reverend is thinner than most production guitars, allowing the body to vibrate more freely, for a more resonant and lively tone. Thick finishes might look a little 'slicker', but at Reverend, tone is a top priority. Our finish is also UV cured, which means it's 100% dry from day one, unlike vintage-style nitrocellulose finishes, which can take years to fully dry.
A thumbwheel under the tuner pushes a steel pin up through the post, locking the string in place for exceptional tuning stability and super-fast string changes.
Every Reverend is hand initialed and serial numbered on the back of the headstock by one of our highly skilled technicians who sets up, inspects, and tests every instrument.
Our proprietary knobs feature a lower profile which is less likely to be accidentally hit by the player's hand, and the white dot lets you easily see where your knob rotation is set.
We use "Boneite," a synthetic bone nut, that is more consistent than natural bone, on all Reverend instruments. It reduces friction, allowing the strings to slide through the nut slots smoothly, improving tuning stability.
This patent-pending string tree has an extended bar to hold down three strings at a time with just one tree, eliminating G string buzz in the nut slot.
Our dual action rod adjusts in both directions, allowing back bow or forward bow. This assures correct adjustment range is possible regardless of string tension, extreme climate conditions, or the effects of long term aging. It’s also located at the headstock for easy access.
Two extra bolts increase mounting pressure of the neck by fifty percent. This makes a stronger neck connection, which improves sustain, tuning stability, and neck alignment.
We use caps with a +-10% rating, while a typical cap is +-20%. Our caps are made to tighter specifications, so they’re more consistent. Made of polyester, they’re also longer lasting, and less affected by temperature than cheaper ceramic caps. Typically used in expensive boutique guitars.
Our proprietary jack plate features four mounting screws, instead of two. The extra screws prevent the plate from tearing out of the body. Made of steel for durability, the laser etched logo adds an extra touch of class!
All Reverends use an upgraded jack by Pure Tone Technologies. A standard jack has single contacts, but the Pure Tone jack has dual contacts for improved grip, audio signal and reliability. The most dependable guitar jack available.
All Reverend guitars have a treble bleed circuit, preserving the treble when you roll back the volume control. When you roll back a standard volume control, the tone loses treble and becomes dull sounding. Now you can turn down and still sound great!
We use Alpha control pots with a +-10% rating. While a typical pot is +-20%, our pots are built to tighter specifications, making them more consistent. Typically used in expensive boutique guitars, but standard issue in all Reverends.