Description
This plank may look standard at first glance, but it’s factory hot-rodded and stage ready right out of the box. Country/roots-rock guitar legend and Grammy winning artist/producer Pete Anderson is well known for his vintage T guitar. We worked together to modernize it while keeping faithful to the original character. Modifications include: chambered body, stainless steel saddles, compound radius fretboard (10″ to 14″), “R” embossed knobs, and a push-pull studio switch in the tone control (turns on neck & bridge pickups together, allowing a total of 6 pickup combinations).
DISCLAIMER: Satin clear coats and nickel hardware as seen on the Pete Anderson signature guitars have certain physical characteristics that predispose them to aging and looking like a vintage instrument more rapidly than other finishes. As with all Reverend signature models, the choices to use these materials were made by the artist and are included on these guitars to better fit their vision of an ideal instrument.
Specs
Gallery
Features
We design our own proprietary custom pickups, to achieve the best tonal match with our instruments. Reverend pickups are also specifically designed for each position, for balanced volume and tone when switching.
Roasted Maple is heat treated at over 300° F to remove sugars, moisture, and impurities. This maple is lighter, more stable, and has a beautiful caramel color. The result is an exceptional maple neck that will require less seasonal adjustment, and boasts a rich vintage look!
All Pete Anderson models have special knobs which feature an embossed "R". Custom cool!
Korina (aka White Limba) is a medium-light weight wood, highly prized for consistency and tonal qualities. Often found in boutique and vintage instruments, all Reverends feature Korina bodies. A highly resonant wood, Korina is a key factor to producing our lively, responsive instruments that are rich in harmonics.
The Eastsider has three strategically placed chambers underneath the pickguard for all the increase in resonance and warmth that you'd expect. The placement of the cavities also reduces neck-diving balance issues found in most chambered guitars.
The paint on a Reverend is thinner than most production guitars, allowing the body to vibrate more freely, for a more resonant and lively tone. Thick finishes might look a little 'slicker', but at Reverend, tone is a top priority. Our finish is also UV cured, which means it's 100% dry from day one, unlike vintage-style nitrocellulose finishes, which can take years to fully dry.
A thumbwheel under the tuner pushes a steel pin up through the post, locking the string in place for exceptional tuning stability and super-fast string changes.
Every Reverend is hand initialed and serial numbered on the back of the headstock by one of our highly skilled technicians who sets up, inspects, and tests every instrument.
We use "Boneite," a synthetic bone nut, that is more consistent than natural bone, on all Reverend instruments. It reduces friction, allowing the strings to slide through the nut slots smoothly, improving tuning stability.
Our dual action rod adjusts in both directions, allowing back bow or forward bow. This assures correct adjustment range is possible regardless of string tension, extreme climate conditions, or the effects of long term aging. It’s also located at the headstock for easy access.
Two extra bolts increase mounting pressure of the neck by fifty percent. This makes a stronger neck connection, which improves sustain, tuning stability, and neck alignment.
All Reverends use an upgraded jack by Pure Tone Technologies. A standard jack has single contacts, but the Pure Tone jack has dual contacts for improved grip, audio signal and reliability. The most dependable guitar jack available.
All Reverend guitars have a treble bleed circuit, preserving the treble when you roll back the volume control. When you roll back a standard volume control, the tone loses treble and becomes dull sounding. Now you can turn down and still sound great!
We use Alpha control pots with a +-10% rating. While a typical pot is +-20%, our pots are built to tighter specifications, making them more consistent. Typically used in expensive boutique guitars, but standard issue in all Reverends.
We use caps with a +-10% rating, while a typical cap is +-20%. Our caps are made to tighter specifications, so they’re more consistent. Made of polyester, they’re also longer lasting, and less affected by temperature than cheaper ceramic caps. Typically used in expensive boutique guitars.
